My players stumble upon an abandoned version of one of my Dwarf Fortress cities.

I already know the whole layout backwards and forwards without needing to work with a map, and it has traps, epic architecture, purpose to every room, little random stuff scattered through, and I can usually come up with some kind of theme or ending to the dungeon for if they get that far into it. Easy peasy.

A shopping trip can kill half a session if it’s been a while. Then maybe one of the shopkeepers has a problem that would be worth one of the nicer items in their shop if it were taken care of for them.

If I have absolutely nothing prepared, like I don’t even know anything about the world or the situation the players are in, then I reschedule session 1 ;)

You almost never have nothing prepared. If I didn’t prepare for a session, it just means whatever was there gets built upon in a more rudimentary way, areas have less detail, characters are more rough, no nice maps, but otherwise everything is exactly the same. The stuff you do in preparation just means that the session will be better. If you don’t prepare, you’ll essentially just do “preparation” on the fly and it’s called improvisation. You don’t do drafts and discard them for something better, you just always go for the first thing that comes to mind.

So idk, for me, not preparing for a session is pretty simple, I just do everything the same just in less time.

Assuming a D&D 5e game, I load Kobold Fight Club and click until I find monsters I can build a little story around.

A while back (including enemies from Tome of Beasts) I got Spawn of Akyishigal and Giant Ants, and after a few overland battles they found a beleaguered anthill.

By the next session I had my dungeon made and some lore surrounding it.

The giant anthill had carved its way into an ancient tomb of an orcish warlord who had managed to seal the Demon Lord of Cockroaches with her in an attempt at everlasting life. The actions the players take can result in her rising as a Mummy Lord or in Akyishigal being freed.

All from going “Hey, these enemies work well together.”

Here’s a link to it:

The Mirrored Tomb of Yeskarra

Get yourself Sly Flourish’s Lazy Dungeonmaster and The Return of the Lazy Dungeonmaster, first of all.

To answer the question, think of a strong start, maybe a combat to give me room to think between turns. Think of 10 secrets and clues. Grab a map from Dyson. 5 Room Dungeon it. And if you’re pressed for time, ChatGpT can be super handy pulling together tables and last minute prep.

So, like usual then?

If it’s a new game, I start off with a basic adventure I always have tucked away. A good starter adventure is a lifesaver sometimes.

If it’s an ongoing game, then we probably have stuff we were still doing? Just recycle the prep from last time wherever possible and play for time. “Oh, yes, you have the treasure from the depths of the dungeon, but now your rivals have seized the place and you need to fight your way back out! Totally not just doing this to reuse the dungeon map.”

If it’s an ongoing game and we just had a good cutoff point? Thank god that player just arrived. Ask them what they’re expecting will happen this session, nod sagely at their guesses and work from that. “Oh, you’re hoping you’ll fight that cult sometime soon? You never know, it might come up sooner than you think!”

Everything else is just good prep advice. Keep generic NPC templates and tokens you can use for anything. Use a whiteboard for any maps you need. Give your players control of the plot so you don’t have to come up with it.

I don’t schedule a game if I’m not going to be prepared

I gave myself a vague outline of a plan, I’ll wing it.

So, here is my approach, in the context of a campaign. On my campaign, I tend to have a short list of NPC/Faction/Place and enjoy keeping the campaign on a shorter space rather than a whole multiverse.

So my technique would involve.

• Ask the players to give me a summary of latest session, that I’ll crosscheck with my notes.

• Ask the player what they want to do, following these events. having reccuring NPC/Places/factions mean that I can improvise how these person react to the event (if they do). This will easily burn a hour.

• While all of that happen, I have time to think about how to relaunch the story, either there is an event which absolutely makes sense in the context The local mafia isn’t happy that you dismounted their drug production lab, when you come home you find a miniature coffin with a bullet inside in front of your door or, even though it’s a bad practice, I throw a “randomish encounter” A big etheral cloud forms over the magic equipement store, and you can see some ethereal creature leaving that cloud and ear screams of bypasser being attacked The latter adds a combat buying me an extra hour to find-out why this shop exploded.

• Then, I can let the player investigate these events, it may-not be the most complicated investigation I ran, and kinda linear, However, it’s enough to keep going to the end of the session, and have new elements to develop for next time

For a one shot ?

In general, I organize them when they’re ready, and I have a lot of one-shot scenario ready on my computer, alternative would be pulling a zero prep game.

Is that honestly such a big deal? If it’s long term chronicle/campaign than i’m sure you have lots of plot threads hanging around waiting to be woven into a new story. If it’s a new chronicle just make a session zero - players will keep talking a make most work for you. And if it’s a one-shot… Well, than you improvise, i guess.

First, vibe check. Let the players shoot the shit a little more than usual out of game. While they do this, you do a little last minute brainstorming or note-taking/reworking.

Second, if you let them drive the convo, they will usually give you some clues when they finally get bored and start asking each other to calm down and start the game. Things like “I want to find out what so and so has to say about the mission we just got from who’s his face!” Or “I want to kick that (minion of the bbeg)'s ass! Let’s get moving!”

This tells you what your players want. Now you have some focus on what you need to spitball.

Now it’s down to your improv skills. Yes-and helps a ton here. You ask what they do and it just works, or works with consequences. Ask them to roll some checks and if they roll high and it isn’t stupid they succed and do the thing or get the info.

If they roll low something bad but not lethal happens. Minions show up, NPCs laugh at them, etc etc.

If you panic, ask them to roll a check and figure out what is is for while they are rolling the die and adding the result. At some point it’s just art which you get good at with practice.

Good luck!

Play Battlestaions This was my last group’s actual fallback… that started to become our main game because it was more interesting than my campaign O.o

The Gamemaster’s Apprentice is the single tool you need for this scenario. Add in a playing card oracle and you can basically randomly generate a session on the fly.

If I’m truly unprepared I’ll just recommend we play a board game instead. With that said, if we are playing in a larger campaign I’ve often prepared lots of things that haven’t been used with because they seemed like a likely path at some point that went untaken, and I might just nudge players in one of those directions and balance any numbers on the fly if it was prepped a couple levels before.

Grab any two factions with competing interests, loosely define some scenario where they’re narrowly deadlocked, hook the group in via a scheming interloper who has mysterious (TBD) motives. Hash out all details by yes-anding. If ever there’s a lull, or I need a climax, the current underdog makes an unexpected power play.