• SuiXi3D@fedia.io
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    6 days ago

    Any of the modern bro country BS, with white dudes trying to rap about trucks and shit. Had a coworker that’d blast that shit and it drove me insane.

  • 9point6@lemmy.world
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    6 days ago

    All I want for Christmas is you

    I worked in retail in the early-mid 00s

    Back when Christmas time meant the in-store music CD was just one disk we had on loop for basically 2 months rather than the usual selection of a few disks

    I don’t think I’ve felt hatred like it since

  • tigeruppercut@lemmy.zip
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    5 days ago

    Fucking Staind. It’s Been Awhile is one of the whiniest piece of shit songs with the dumbest lyrics ever written. Louie Louie is Shakespeare compared to that song. It came out right around the time Clear Channel was barfing out Christian rock garbage and I’d rather listen to Creed telling me about Jeebus’s arms wide open a million times before I’d listen to someone repeat the same emo trash “I’m 13 and this is deep” line in a song 14 fucking times.

  • JakoJakoJako13@piefed.social
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    5 days ago

    I’m a crusty metal head. It takes a lot, and I mean A LOT, to make me hate a song. Design the Skyline’s 2011 flaming pile of shit Surrounded by Silence is the single worst metal song I’ve ever listened to. At a time where we had major musical juggernauts like BTBAM, Periphery, Protest the Hero, After the Burial, and so many other great technically sound musicians just hitting their stride or deep in their prime, Design the Skyline said ‘this’ll do.’

    I could rip into this thing a million different ways. Lets just start with the fucking aesthetics. It’s 2011. I’m a year into college. Hipsterism is on the rise. Scene kids are dying out. These guys are the last vestige of an embarrassingly low period of teenage subculture. You got two lead screamers. A gelfling, and Rhea Ripley 12 years before her time. The bassist is little brother Ethan after Mom said let your little brother be in the band. 3 nondescript other dudes wearing girls clothing who are too embarrassed to show their faces at all. And a drummer who is too good for this shit. They’re children of that time. The first thing I thought to my self as soon as they show up in the video even back then is, ‘we’re still doing this?’

    The start of the song is the best part. It’s this techy synth stuff with great dynamics that fits the era. It’s long enough to make you think we’re in for a good ride. Then it drops out and the actual band starts and hooooo boy is it bad. It’s pure WHAT THE FUCK! The two screamers go back and forth unintelligibly. The guitars are playing fuck all. The bass drops out like fucking Hetfield was mixing And Justice For All. It’s just chaos.

    Then you get to the chorus. It’s autotuned to shit. In the actual video the gelfling is battling snow that keeps falling into his mouth. The Rhea clone is dry heaving and singing at the same time. He legit looks like he’s gonna be sick the way he’s moving. Then little brother Ethan comes in. He’s the most awkward, no confidence looking mother fucker of the whole video. He looks like he spent the whole day getting yelled at to move like this and you’ll look cool, but it was really a joke and he just looks stupid. To the point there’s a shot of the Rhea clone staring off and rolling his eyes while little brother Ethan is singing, like why is he here? It’s just a fucking mess. The best part of the chorus is this is the only time in the whole song it happens.

    Then it returns back to the chaos of nothingness musically and you feel shock. Why am I being bombarded by this? What is the point of this song? What is the point of my life? There are legit musicians at this period of time. Misha Mansoor is working hard on P2. The boys in BTBAM are working hard on P2. Everybody is waiting for the next Contortionist album. You got a whole new movement in Djent. Then this shit forces it’s way into the spotlight like a distraction from the Epstein Files.

    And when I tell you the description I’m writing is nothing compared to the hate this song got at the time, I fucking mean it. They released their record then split up. The amount of hate they got broke the band up. There was no way anyone was taking any of this shit seriously. That’s how bad it was.

    Here it is. Do not enjoy.
    https://www.youtube.com/watch?v=ViSZI6UJEUQ

    The only other songs that makes me a fraction as upset as the above is Pause and Rib Woman on Frosting by Bent Knee. I can’t prove it but I really think those two songs caused a rift in the band that got Ben and Jess kicked out the band. Ben with out of control creativity that tanked a record on Pause. Whoever decided to have a high pitched alarm go off for a whole song deserves to be whipped. Nobody wants to listen to Jess moan for a whole song like Rib Woman. They’re lucky they had the cover of covid to leave, but man that record really upset a lot of people. None more than the band itself. They’ll never say it but it’s pretty obvious. The Hyperpop experiment was a failure.

  • FryHyde@lemmy.zip
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    5 days ago

    Wonderful Christmastime by Paul McCartney is just the most stupefyingly lazy and annoying song and people just play it 😤 n every single Christmas playlist because it’s Paul McCartney.

  • dumples@piefed.social
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    6 days ago

    Wonderful Christmas Time.

    It’s awful and Sir Paul McCartney should be ashamed of himself for making it

  • Fondots@lemmy.world
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    5 days ago

    “Home” by Edward Sharpe and the Magnetic Zeros

    After years of hating it, I’ve basically boiled my criticism down to the fact that it’s

    Banal, saccharine, faux-folksy bullshit.

    I’m pretty sure I’ve written that exact string of words dozens of times over the years whenever this topic comes up. But I’ll expand on it a bit.

    It drags on for a little over 5 minutes, it’s too damn long for having no real substance

    Half of the lyrics are just cutesy-sounding words with no real significance

    There’s a weird spoken word bit in the middle telling a story that just kind of doesn’t go anywhere basically just “remember that time you fell out a window and I drove you to the hospital? That’s when I fell in love with you”

    Why? Are you attracted to women who are bleeding all over your car? Do you get turned on by gravity? Did she say something funny? Did she at least look cute? There’s just no fucking payoff.

    There’s not really even anything particularly interesting musically interesting going on there.

    And what’s with the fake southern drawl? You’re from L.A. my dude. That’s Los Angeles, not Louisiana. And by the way “Edward Sharpe,” you forgot to even use that bullshit “alter-ego” name in this song, you’re not even keeping your own made-up lore straight, just drop the fucking act.

    I’m pretty sure if I asked the crappiest LLM out there to write a “bullshit folksy love song for basic white teenage girls” it would spit out something better.

    And for some reason the radio stations around me played this song to absolute death, not to mention my sister practically listening to it on repeat. It’s burned into my head and I absolutely fucking hate it.

    • Passerby6497@lemmy.world
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      5 days ago

      Let’s get “it started” is another awful BEP song, and not just because the album version constantly repeats a slur

      • Nora (She/Her)@lemmy.dbzer0.com
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        5 days ago

        “what no it doesnt?” - me five minutes before discovering something crazy.

        why the fuck was it that in the first place??? their songs barely make sense but that makes even less sense.

        • RampantParanoia2365@lemmy.world
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          5 days ago

          Are you talking about Let’s Get Retarded? That was the original version. Personally, I find “It started” to be moreso.

          • Passerby6497@lemmy.world
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            5 days ago

            Yeah, but at least the radio version isn’t constantly repeating that slur, so it’s the superior version of a shit song.

              • Passerby6497@lemmy.world
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                4 days ago

                You’re showing your lack of intelligence here. Whatever you think the word means, the slur still a slur.

                Do you think it’s ok to call people the n-word, even though you’re not trying to demean a black person?

    • Ginny [they/she]@lemmy.blahaj.zone
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      5 days ago

      Yes! I knew I wasn’t the only one. I used to have to get a coach to college and I feel like there was a solid three month period when I’d have to hear this shit on the driver’s radio twice a day.

      The tune would be grating enough even if the lyrics weren’t completely asinine (pun intended).