No there are plenty of female characters who are portrayed as two-dimensional sex objects
But none of them were their film’s main characters, right? I mean, by definition if the character has agency and complexity to them, they’re not being objectified, and basically every main character has some degree of agency and complexity. Can you give me an example of a female film lead who is objectified by the definition you’ve provided here?
Haven’t seen that particular film, but is the female lead shown to be powerful? Does she have agency? I would presume she does. Is there some complexity to her character (e.g. she has to resolve some sort of inner turmoil during the film)? My point is the these criteria (which DudePluto put forward, not me) preclude such characters from being objectified. I don’t agree with that. As I understand objectification, characters like the lead in La Femme Nikita can be sexually objectified, even though they have agency and complexity to them. My point is that DudePlato’s claims about how objectification works preclude many examples of female leads that have been argued to have been objectified in the past.
It’s not really to do with whether they’re the protagonist, it’s how they’re treated as a character (and by extension the actor). Off the top of my head the best example is Carly from Transformers 3. She’s incredibly 2-dimensional. What do we know about her, her motivations, what drives her? Well, not a lot. At best you could argue she has a good job and is responsible for getting Megatron to help OP. But when we look at the movie overall it’s not great. She’s consistently needing saved by Sam, the film goes to lengths to focus on her borderline inappropriate relationship with her male boss, and she just doesn’t do a lot for the plot that doesn’t serve some male. In fact, her introduction, arguably the most important scene for establishing her character, is a camera shot of her ass. That’s objectification because the character exists amid a web of weak characterization and conformity to gender roles that treat her more like a trophy than a proper character
Carly was not the main character of that film, Sam was. I really think you’re missing my point. You’ve defined objectification in such a way that no lead character could ever be said to be objectified. So, if you’re going to use that definition to claim that Thor isn’t objectified, you must agree that no female protagonist can claim to be objectified to be consistent with your own definition.
But none of them were their film’s main characters, right? I mean, by definition if the character has agency and complexity to them, they’re not being objectified, and basically every main character has some degree of agency and complexity. Can you give me an example of a female film lead who is objectified by the definition you’ve provided here?
La Femme Nikita
Haven’t seen that particular film, but is the female lead shown to be powerful? Does she have agency? I would presume she does. Is there some complexity to her character (e.g. she has to resolve some sort of inner turmoil during the film)? My point is the these criteria (which DudePluto put forward, not me) preclude such characters from being objectified. I don’t agree with that. As I understand objectification, characters like the lead in La Femme Nikita can be sexually objectified, even though they have agency and complexity to them. My point is that DudePlato’s claims about how objectification works preclude many examples of female leads that have been argued to have been objectified in the past.
It’s not really to do with whether they’re the protagonist, it’s how they’re treated as a character (and by extension the actor). Off the top of my head the best example is Carly from Transformers 3. She’s incredibly 2-dimensional. What do we know about her, her motivations, what drives her? Well, not a lot. At best you could argue she has a good job and is responsible for getting Megatron to help OP. But when we look at the movie overall it’s not great. She’s consistently needing saved by Sam, the film goes to lengths to focus on her borderline inappropriate relationship with her male boss, and she just doesn’t do a lot for the plot that doesn’t serve some male. In fact, her introduction, arguably the most important scene for establishing her character, is a camera shot of her ass. That’s objectification because the character exists amid a web of weak characterization and conformity to gender roles that treat her more like a trophy than a proper character
Carly was not the main character of that film, Sam was. I really think you’re missing my point. You’ve defined objectification in such a way that no lead character could ever be said to be objectified. So, if you’re going to use that definition to claim that Thor isn’t objectified, you must agree that no female protagonist can claim to be objectified to be consistent with your own definition.