la .lojban.

ni’o re moi le’i gubni je versiio be le se xraci’a

.i ko’a goi la’o zoi. DRONINGOUTOFATINCAN .zoi. cu pixra le nu la .vynk. noi ke’a se dalremnei la .varik. cu dasnu le te gusni je nebykarli je le baktu mapku pe le pixra cmene be la’o glibau. Reinforced Records .glibau. noi ke’a co’e ja benji lo so’i zgike le ke co’e ja se smuni be lo melbi be la .varik.ldots ku’o je cu co’e ja cisma .i ku’i ji’a la .varik. cu nelci tu’a la’o glibau. Soul:r .glibau. lu’u je tu’a la’o glibau. Moving Shadow .glibau. .i ca le nu vo’a cusku dei kei la .varik. na prane le ka ce’u birti lo du’u xu kau la’o glibau. Soul:r .glibau. cu selneimau la’o glibau. Reinforced Records .glibau. ce’u

.i la .varik. cu co’e ja jinvi le du’u ko’a re’enje ja cinmo se zbasu vo’a .i ko’a srana le su’u lo cicricfoi zgike cu srana le lijda be la .varik. kei je le su’u la .varik. cu co’e ja krici le du’u su’o da noi mupli tu’a ke’a fa lo bloxai zo’u ga naje re’enje zbasu da gi ku’i da re’enje ke co’e ja pilno da .i srana le su’u la .varik. cu jai fenki je cu me’oi .mystic.

.i le pu’u la .varik. cu xraci’a ko’a cu cipra zo’e joi ko’e goi le calsamxra be le xadni be la .vynk. be’o noi pilno ke’a tu’a ko’a .i la .varik. cu jinvi le du’u ko’e jai filri’a tu’a zo’e je le moklu noi ke’a jai nandu vo’a

.i la .varik. cu pilno la’oi .Blender. tu’a ko’e je cu pilno la’oi .Krita. le pu’u vo’a bixygau pe’a le me’oi .render. ko’a

.i la .varik. na pilno zo’e ja la’oi .Git. tu’a le me’oi .Krita. datnyvei pe ko’a .i krinu la’e di’u fa zo’e joi le su’u jai se sutra jenai cu mutce lo ka ce’u pluja

.i la’o zoi. vynk-lmc-2-2.kra .zoi. baitni li ci ci no so pa so pa re je cu simlu fi la .varik. fe le ka ce’u se pagbu le’i pa so me’oi .layer.

.i la .varik. na birti lo du’u ma kau cacra le pu’u vo’a xraci’a ko’a

.i la’oi .Unlicense. plijaspu ko’a

.i la .varik. cu curmi lo nu cusku lo se du’u ma kau cfila ko’a

.i la .varik. cu kirsku fi lo ka ce’u tcidu

English

The thing is the 2nd public version of the drawing.

“DRONINGOUTOFATINCAN”, which is hereinafter denoted by “$P$”, depicts that VUNC, which is the fursona of VARIK, wears a necklace (which emits light) and a bucket hat (of the logo of Reinforced Records, which publishes many songs which are beautiful to VARIK) and smiles/whatever {VERB}. Additionally, VARIK likes the stuff which is published by Soul:r and Moving Shadow. That (VARIK writes the translation source of the current sentence) is contemporaneous with that (VARIK is not certain about whether VARIK prefers (over Reinforced Records) Soul:r).

VARIK opines/whatever that $P$ is art. $P$ is relevant to that (jungle music is spiritually relevant to VARIK) and that (VARIK opines/whatever that some thing $x$ exists such that $p$ is not religiously/spiritually created, but $x$ is spiritually/whateverly used or whatever) The thing is relevant to that (VARIK is crazy and is a mystic).

The process (of that VARIK draws $P$) is a test of the 3D model (which “depicts” the body of VUNC) and whatnot. The 3D model is used for the drawing. VARIK opines that the 3D model facilitates that VARIK does the mouth (which is difficult for VARIK) and whatnot.

VARIK does not use (for the Krita file of $P$) Git. The justification is relevant to that (the thing is fast and is not extreme in being complex).

33091912 is the byte-based size of vynk-lmc-2-2.kra, which seems (to VARIK) to “have” 19 layers.

VARIK is not certain about the duration of the process of drawing $P$.

The Unlicense is the licence of $P$.

VARIK welcomes criticism.

VARIK thanks for reading.