I really hate the sentiment that you must be under the influence of something to reach a certain level of creativity. Some artists have found success with this and that’s fine, but it is not a requirement. Not even for the most surreal and otherworldly art.
I write my best when I’m depressed. I’m okay with finding alternative routes for that, though weed isn’t one of them. I find weed helps me when I’m doing visual art, but when writing? Weed practically renders me incapable.
I now understand why writers’ usual substances of choice are alcohol and caffeine.
also shakespeare is incredibly specific. the example I like to use is the famous
“Friends, Romans, Countrymen, Lend me your ears!”
Which takes place in a crowded marketplace.
Count the syllables: 1 (friends), 2, (romans), 3 (countrymen), 4 (lend me your ears)
it’s a line in which the meter matches the intent - attracting attention in a big group.
Bill will also often add an eleventh unstressed syllable to his dialogue lines if he wants a character to seem vulnerable or weak, indicating they have fallen off meter because of their inner thoughts
very occasionally he does an eleventh STRESSED syllable when a character is being especially dominating and murderous.
The other famous examples is when a peasant or very low status character speaks, it won’t be in verse at all, but plain prose.
I really hate the sentiment that you must be under the influence of something to reach a certain level of creativity. Some artists have found success with this and that’s fine, but it is not a requirement. Not even for the most surreal and otherworldly art.
Also there are other ways to poke that side of brain. Most of the good abstract art I write was under sleep derivation.
Then again, I mainly write code, but it was still up to interpretation what that snippet is supposed to do.
I write my best when I’m depressed. I’m okay with finding alternative routes for that, though weed isn’t one of them. I find weed helps me when I’m doing visual art, but when writing? Weed practically renders me incapable.
I now understand why writers’ usual substances of choice are alcohol and caffeine.
also shakespeare is incredibly specific. the example I like to use is the famous
“Friends, Romans, Countrymen, Lend me your ears!”
Which takes place in a crowded marketplace.
Count the syllables: 1 (friends), 2, (romans), 3 (countrymen), 4 (lend me your ears)
it’s a line in which the meter matches the intent - attracting attention in a big group.
Bill will also often add an eleventh unstressed syllable to his dialogue lines if he wants a character to seem vulnerable or weak, indicating they have fallen off meter because of their inner thoughts
very occasionally he does an eleventh STRESSED syllable when a character is being especially dominating and murderous.
The other famous examples is when a peasant or very low status character speaks, it won’t be in verse at all, but plain prose.
dammit i’m low on coffee and i’m thinking Bill? Bill who? Watterson? Why are we talking calvin and hobbes?
i’m going to go put a sticky note on my screen that says SHAKESBEEF and make some coffee brb
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This is wrong. You cannot imagine what you cannot imagine. Psychedelics definitely allow you to imagine what you previously could not.