• Matt Blaze@federate.socialOP
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    17 days ago

    Rodenstock 70mm/5.6 Digaron-W (@ f/8), Phase One IQ4-150 digital back (@ ISO 50), Cambo WRS 1200 camera (right shifted 20mm, vertically shifted 8mm).

    This composition fully exploited the image circle and edge sharpness of the lens. We’re to the right of the power station, but to preserve the geometry of the river side facade, the camera was pointed straight ahead, parallel with that side of the building. The camera back was then horizontally shifted to move the building back into position.

    • Matt Blaze@federate.socialOP
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      17 days ago

      London’s Battersea Power Station, built as two nearly-identical halves completed in 1935 and 1955, respectively, was originally a coal-fired electrical generating plant. It was decommissioned in 1983. After being idle for nearly 40 years, the plant has been re-developed as retail space and commercial offices, opened in 2022. Along with the Tate Modern, it gives London a second striking example of large-scale adaptive reuse of an obsolete, but still handsome, power station.

      • Matt Blaze@federate.socialOP
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        17 days ago

        The power station has long been an iconic landmark on the south bank of the Thames, distinctive for its four prominent smokestacks (two for each of its two separate generating facilities) and industrial art deco architecture. Perhaps most famously, it featured in the cover art for Pink Floyd’s 1977 “Animals” album, with one of London’s (sadly now extinct) giant flying pigs captured hovering near the smokestacks.

        • Matt Blaze@federate.socialOP
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          17 days ago

          This is another image in my “slightly better versions of the pictures of local attractions you might find decorating the walls of inexpensive hotel rooms” series.

        • Tim Panton@chaos.social
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          17 days ago

          @mattblaze@federate.social The story goes that one of the giant pigs broke free of it’s tether and landed up (deflated) the worse for wear in a farmer’s field. I can only imagine the conversation when the farmer reported it to the local constabulary. “I’ve found a Giant Pig in my field” could so easily be misinterpreted in more ways than one.

        • Nick Phillips@mastodon.nzoss.nz
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          16 days ago

          @mattblaze@federate.social IIRC two of the chimneys are entirely fake, there purely to balance the look of the other two… Can’t remember where I read that though.