What older movies made a good use of either side stepping special effects or have effects that somehow still hold up today? Why are they good movies?

  • Lushed_Lungfish@lemmy.ca
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    2 days ago

    Would Aliens be acceptable here?.The practical effects were incredibly well done as were the matte paintings.

  • Caveman@lemmy.world
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    2 days ago

    Wizard of Oz sepia “filter” fits in here?

    I’m also going to in honesty pick Brazil (1985). It still holds up really well.

  • anomoly@lemmy.world
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    3 days ago

    I was kind of shocked how well Flight of the Navigator held up when I rewatched it for the first time as an adult a couple of years ago. The effects used for the ship were great.

    • orbitz@lemmy.ca
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      3 days ago

      It was a favourite growing up (up there’s with Explorers, The Goonies to me back then), I hadn’t watched it in decades till a few years ago. I also thought it held up really well. Besides the exterior spaceship there’s minimal effects anyways (plus cute aliens of course which were practical) it’s more an odd buddy (new friend?) comedy. I still thought what was there was for the ship effects held up better than expected for the time.

      Course may be rose tinted glasses and all, but I really enjoyed it last time still, plus time travel is always awesome.

  • eightpix@lemmy.world
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    3 days ago

    Off the top of my head:

    • Pan’s Labyrinth (CGI augments excellent practical effects)

    • Ghostbusters (1984)

    • The Cell (CGI augments excellent set and costume design).

    • The Abyss (1989)

    • Interstellar (had to check if this was CGI).

    With research: Speed and The Edge of Tomorrow are fun. Also, I am annoyed at myself that I forgot Aronofsky’s the Fountain — a beautiful, painful film.

    Practical scenes with mentioning:

    • That one scene in Chinatown, “they lose their noses!”

    • That one scene in Boogie Nights, “I’m a big bright shining star.”

    • That last arrow in Throne of Blood

    • stoly@lemmy.world
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      3 days ago

      Forever underappreciated. They were hiring research professors at universities to do that stuff. It was so cutting edge that it was actually experimental.

      • noughtnaut@lemmy.world
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        3 days ago

        And they got disqualified from the Oscars “because they cheated” – the following year there was a brand new nomination category for computer generated effects…

        • Treczoks@lemmy.world
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          3 days ago

          Just like the monkeys in 2001. They were so good, the Oscar jury thought they were animals instead of actors.

  • KingGimpicus@sh.itjust.works
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    3 days ago

    Tremors.

    Great practical effects for the time the movie came out. Further, they were very clever about only showing you the worm a few times. Screamers style graboid rooster tails during chases was campy, but just the right kind of campy.

    Do not talk to me about anything after tremors 3 because none of that shit is Canon imo. Honestly tremors 3 was the beginning of the end but ill still always love them assblasters

    • leftzero@lemmy.dbzer0.com
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      3 days ago

      Came here to mention this.

      The way Lumet uses camera angles to create tension and reinforce the personalities of the characters, especially how he makes the room look smaller and more claustrophobic as time moves on, is simply masterful.

      • Mark@lemmy.world
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        3 days ago

        I did not expect the viewing journey when I started to watch it. I was so impressed!!

  • Wytch@lemmy.zip
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    4 days ago

    Who Framed Roger Rabbit is a masterpiece of clever tricks, superb acting, and professional animation.

    The Thing still has the best practical movie monster effects I have ever seen. And the most upsetting.

    Crouching Tiger, Hidden Dragon is a breathtaking film that uses wirework choreography to transport you into a storybook fantasy.

  • stoly@lemmy.world
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    3 days ago

    Matrix 1. Other than some CGI, it doesn’t have so much special effects as much as it has special camera tricks.

  • leftzero@lemmy.dbzer0.com
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    3 days ago

    Barry Lyndon.

    Kubrick managed to make every single frame look like a period painting, and used Zeiss 50mm f/0.7 lenses, originally built for NASA to photograph the dark side of the Moon, to film scenes by candlelight (granted, even with that lens he had to use lots of special candles with three wicks to get enough light; if I recall correctly some actors ended up with thermal burns from the radiated heat).